[Weekend Video] Atlantic City and In Spite of Ourselves by Kyle & Danielle

A few days ago, my friend Katie posted a video on my facebook timeline. After both of us being in musical ruts and discussing such sadness at our friend's house party, I shared with her a few of my favorite music bloggers. In return, she drew my attention to this cover of Bruce Springsteen's Atlantic City by Kyle Morton of Typhoon and Danielle Sullivan of Wild Ones. Despite being around for over three years, I had never seen the video and was immediately swooning over the duo's rendition.

Lucky for me, I didn't have to wait long for the next Kyle and Danielle collaboration. In what may be my favorite release of the day, this cover of In Spite of Ourselves by John Prine is really hitting the right spot. While the lyrics are sometimes crass and almost entirely crude, the portrayal of real love is what matters. Is there anything more perfect for Valentine's Day? I didn't think so. 

You can listen to and download the In Spite of Ourselves cover on Typhoon's bandcamp page. It might be that perfect, last-minute addition to a gifted Valentine's Day mix. Catch Wild Ones as one of the opening acts on Typhoon's latest tour. 

[Local] [Weekend Video] DC USA By Ugly Purple Sweater

I've been living in the actual bounds of DC for the past seven months, in between Columbia Heights and U Street. 14th Street restaurants, fancy fitness studios, un-affordable rent, hipster flair and obnoxiously-marketed apartment buildings are increasingly becoming the norm. Head east and Bloomingdale and Shaw are heading down same path that U Street did a few years ago. Head north and friends are already being priced out of upper Columbia Heights and even Petworth. Where is the next spot for gentrification and should this continue to happen? I think about the evolving neighborhood climate of DC on a regular basis and I've only been in the metro area a year and a half.

DC USA by Ugly Purple Sweater was a song that made a statement about gentrification, alluding to the garish mall in the dead center of Columbia Heights. With lyrics of neighborhoods losing their character and long time residents being forced out, it was an honestly realistic track about the city we occupy.

The music video is one I remembered tonight. I could loop it over and over, recognizing more row houses and Columbia Heights landmarks with each view. DC USA is obviously prominent but the interactions at 14th and Columbia afterwards truly capture the difference between the past and present neighborhood.

Ugly Purple Sweater, unfortunately, retired at the end of last year. Listen to their songs on bandcamp still and catch the video for DC USA below.



Will I be part of the eventual mass exodus to make Brookland or Trinidad the next hip area? Who knows. While the prospect of an affordable studio is intriguing, my conscious is wary.

[Weekend Video] Island by Wyatt Overman (Live Basement)

This album was recorded over the span of two winters. In basements & bedrooms.

Go fifty miles from the nearest city and step outdoors. Whether the terrain is mountainous, a desert wasteland, covered in trees, or sprawling with flat country, the effect remains the same. A breath of fresh air, a step away from civilization and all of a sudden we're confronted with our clearest thoughts and greatest demons. With certain songs and certain albums, I can recreate this feeling just by pressing play. Two Winters, by Wyatt Overman is one of those albums.

As much as I've tried to find the right words to pair with Two Winters, words that could convey even the slightest brilliance the album brings to listeners, I've given up beyond what I've written above.

In a dark basement, fitting to the album's tagline, Overman performs Island with a raw passion and beauty that I didn't think could be more memorizing than the original song. With cuts to picturesque scenes of nature, juxtaposed with the dimly lit basement cave, the video presents this trapped-in-the-open feeling that pairs perfectly with Island's lyrics.

Stream Two Winters on Overman's bandcamp page.

 

Weekend Video: Cheap Motel by Andrew Austin & Donovan Woods

I have been simultaneously adoring Andrew Austin and Donovan Woods lately. Austin's While It's Still Light Out and Woods' Don't Get Too Grand, have consumed my quiet moments, long commutes, and neighborhood walks. In early December, I attempted to create a playlist for the month and couldn't get past Inside Out and The Coldest State. I gave up on getting any further, yet still the playlist resides on my spotify pane.

The two Canadian artists are reminiscent of Dallas Green when he was younger. The two have intelligent, honest lyrics, that showcase the optimism and pessimism surrounding relationships. While Austin leans towards the happier moments and Woods towards the more-challenging, the two albums on shuffle seem to create this beautifully, complete picture of love.

I found Austin and Woods to be complimentary before learning they were friends in real life. Their endearing twitter banter and support of each others' works adds a whole new level of charm.

Listen to Austin and Woods sing Austin's Cheap Motel in someone's living room and try not to swoon.

Weekend Video: Modern Kin's HELLO, WORLD

"HELLO, WORLD is ephemeral, like a live performance has been since the first musicians.  Each event will happen and then be gone - no recording, no coming back to it later.  In the moment across human hours, online, but not forever—not adding mass to the snowball of data we must process, remember, reference, link-to, protect, promote.  Events in time, across time, each one appearing everywhere at once and only once."

Catch this while you can! Portland band, Modern Kin, have been playing release shows at Mississippi Studios and live-streaming the performances on Youtube. At the present moment, there have been five shows over the past twelve hours, with two more to go. This is the gist of their HELLO, WORLD project. In seven different time zones, at their local 10PM time slot on either 10/25 or 10/26, you can tune in and hear the band play their release show over and over again.

Unfortunately, I didn't make it at 10PM my local time (UTC-4) last night, but it's currently a little after 10AM and I just watched the UTC+9 performance. I can't imagine a better way to start off my Saturday morning.

The project is ambitious, but we're five shows in and the band shows no apparent signs of wearing or slowing down. I also loved how it was 7AM in Portland  and there appeared to be a decent-sized crowd over at Mississippi Studios.

If you haven't watched any of the live performances yet, I highly recommend tuning in for the last two shows. There's one at 4PM EST and 5PM EST tonight. Considering that's prime pre-game time for tonight's activities, I'm thinking of having a few friends over for cocktails and having this stream.

Stream the shows from the video above (at the appropriate times) or check it out on their HELLO, WORLD site. The self-titled album was released on October, 22. It's wonderful. You can purchase it on their bandcamp page. 

Weekend Video: Ghosts by Folly and The Hunter (Southern Souls Session)

It's no secret that I adore Montréal band, Folly and The Hunter. Tragic Care refuses to be trumped by any other releases this year, as my favorite album of 2013. Bold as that statement may be, I can't stop listening to their insightful lyrics woven through their unique quiet-folk sound.

In anticipation for their European tour with Half Moon Run, they released an acoustic video of Ghost with Southern Souls. There's a lot to love here, but Nick Vallee's stripped down vocals really adds something to the poignant melancholy of the song. That moment in the song, when the music quiets down just a notch with "And the ghost keeps calling so you’re driving down the road and you’re not going back", especially stands out in this video. I like when songs build up to these hooks at the end. This one isn't loud but is prominent.

If you're fortunate enough to be in any of their European tour cities, go see them with Half Moon Run. Is there a better duo for a folk show? I don't think so.

Weekend Video: Typhoon @ Room 125 Productions

I'm happy the school year has started once again. Although I'm no longer in school, September means the return of Room 125 Productions' Classroom Sessions. In what may be the coolest class of all time, at Lawrence High School, students have the opportunity to meet with artists and develop their live film-making skills. The Classroom Sessions have featured a wide variety of artists since its inception in 2010, including many of my favorites: Hey Marseilles, Pickwick, The Local Strangers, Water Liars, and The Head and The Heart. Most recently, Typhoon stopped by to perform.

I'll have enough to say about Typhoon's live performances once I publish my recap of their concert at Rock and Roll Hotel, last Wednesday. With this, however, I want to highlight Kyle's response to the question about whether Typhoon's songs are paradoxical. Because, the songs sound upbeat but actually reflect morbid realities. I think his answer here is exceptional and guiding, evidence that he is someone high school students can and should look up to. Despite all the darkness in his life, there's opportunity to make the most out of it (to cast out the light) and I love that sentiment.

Weekend Video: Pickwick @ Suzzallo Reading Room

The Suzzallo Reading Room at the University of Washington, is often considered to be one of the most beautiful library spaces in the world. I can't disagree. I spent many undergrad afternoons in awe over the sixty-five foot ceilings, stained-glass windows, gorgeous overhead brass lamps, and oak bookshelves lined with antique books. The Reading Room often draws comparisons to Hogwarts and I could always see why.

The magic of the Suzzallo Reading Room really goes beyond the university and is more-so a Seattle landmark. As of now, I'm convinced there's not a better band that captures the spirit of the Seattle music scene, than Pickwick. The band performing in the Reading Room just feels right. For this weekend, in honor of missing home but seeing Pickwick's show tonight at Rock and Roll Hotel in DC, here's an older video of them performing Blackout, acapella, in the normally dead-silent spot on campus.

Tonight, Seattle meets DC and I only hope DC can handle all that Seattle has to offer. My worlds are colliding and I truly can't contain my excitement.

(DC Friends: See Pickwick tonight. Do it. There are still tickets available and I find that crazy.)

Weekend Video: Life is a Highway as covered by Folly and the Hunter

Folly and the Hunter is a criminally underrated folk band out of Montreal. While I need to devote an entire post to why Tragic Care is my favorite album of 2013 (despite White Lighter, despite The Hurry and the Harm, etc), now is not the time. I spent a few minutes of my afternoon excitedly discussing Folly with a new friend and I'm inspired to post something.

For now, enjoy this cover of Tom Cochrane's Life is a Highway. I adore how quiet the cover is. The original song and Rascal Flatt's versions embody this upbeat vibe, where the "highway" is nothing but an adventure. Here, we have a much more reflective take, where I can imagine this song accompanying me on a late night drive as I'm pondering where my life has been and where it is heading. It's honest to the intent of the original song and pulls it off in a much different, but appropriate way.

I'm convinced this band can do no wrong.