[Local] Black Checker, Grand Piano and The Fed @ The Wonderland Ballroom

Two big goals this year: discover more local music and see more local shows. While I am forever on the hunt for the DC folk scene (which does, absolutely, exist), the district is home to many fantastic bands that fall way outside of this genre. In a city known for gogo but with a large punk rock and dance pop presence, I would be missing out if I limited my love for local music to just the folk bands.

Bar shows are criminally underrated as activities within my circle of friends. Occasionally, I can rally the troops and get enough people out to support great bands playing our usual haunts. Solly's, Wonderland, Looking Glass Lounge and The Pinch are all favorites of ours, yet we rarely partake in the shows that grace these venues' stages.

Last Thursday, I gathered up a crowd of friends to see Black Checker, Grand Piano and The Fed put on a no-cover show at Wonderland. With tacos before at El Chucho, the night felt like a celebration of what makes our neighborhood area such a great place to live.

The Fed opened first. While I've never personally been to one of their shows, they seem to be an institution around here, playing shows in Ward 1 on a regular basis. Described as a blend between blues and punk rock, their sound is one anyone could really appreciate.

Grand Piano, a rock and roll band with many influences, played next. The Pittsburgh band killed it on stage, as all of a sudden the crowd at Wonderland was dancing along to their sax-heavy tracks. This band sort of caught us off guard too. Were they heading in a ska direction? Earlier on in the set, we said no but as the songs continued, we definitely felt a ska vibe. In my opinion, that is never a bad thing. Even without heavy vocals, there was an endearing distinction between their short songs. A few songs were played off of their latest Bug EP, including Army Ants, Lighting Bug and Lady Bug that really charmed the group over. At this point in the night, I felt like I had won. My friends were enjoying the music and there was hope bar shows could be a regular activity for us.

Of course, the band I was anticipating the most was Black Checker, a local pop punk rock outfit. Their EP, Fast, released during the end of 2013, was streamed many times while I was hiding out in rural Virginia for work. In my opinion, there's nothing quite like a little local music to ease the homesickness and this show reminded me why I love being in DC so much on the weeknights. Despite being the last band on the ticket, at 11PM on a weeknight, the crowd was still flush with excitement and engagement. Black Checker played most (if not all) of the EP, including my favorite track, Bagel Girl.

After the show, this thought still remains: will we ever know which local bagel shop barista inspired Bagel Girl? I don't know. If we're looking at quirky bagel shops in the area, my guess would be a girl from So's Your Mom, in Adams Morgan.

All in all, this (coupled with a few whiskey sours) was a good way to spend a Thursday night in this city. I'm looking forward to hopefully catching Black Checker again at The Velvet Lounge sometime in March and just attending more local shows in general.

The Songs of 2013

I want to thank this year for being the year that threw me back into music. When I reflect upon how I became invested in music in the first place, 2006 and 2008 have always been the defining years. I need to add 2013 to that list.

While I've been sharing my favorite songs and albums that were released in 2013, I have a few honorable mentions from prior years that I feel obligated to mention: A New Kind of House EP by Typhoon; The Match by The Eastern Sea; everything Lord Huron; So Far We Are by The French Kicks; The Midnight Organ Fight by Frightened Rabbit; Valley Maker's Self Titled album; Prison Boxing by Cataldo; all of Justin Vernon's prior projects, Counting Sheep by The Crane Wives and Through The Deep, Dark Valley by The Oh Hello's. As always, Rilo Kiley and The Format will always be significant, no matter the year.

Back to the present, this year is the year. Bastille's Pompeii was the most played song, according to my last.fm account. I still can't get sick of it, despite the radio play. r/comeonandslam reminded me that regardless of my folk or music-snobbery leanings, sometimes one of my favorite songs will end up being a Space Jam/ Radioactive mash-up. Whatever. Jumper Cables by Widower, complete with bloodsugar references, was written about me (or, in reality, a girl who could be my best friend). I rarely have a song fit me to a tee that well. When I first heard Hannah Hunt, courtesy of Vampire Weekend, I actually cried.

Pop and mainstream music were also constants and I'm not ashamed. I loved the new Gavin DeGraw singles and drove four hours to my alma mater to see him in concert back in February. J. Cole's Crooked Smile brought back TLC with a bang. I devoured the new Ron Pope song and fully intend to see his show at DC9, even though I'll be surrounded by teenage girls. I am sort of ashamed over having Pitbull and Ke$ha's Timber on this list but I can't stop dancing in my car when I hear it on the radio. 

If I could, I would add every song released this year from Typhoon, Valley Maker, Folly and The Hunter, Volcano Choir, Hey Marseilles and Pickwick to this list. Did I just give away my top 6 albums? Yes.

I tried narrowing this down to just one-hundred and I couldn't make it happen. There's no order - throw these on shuffle and enjoy the ride.

Round I:

Opportunist by Miyazaki

Love Lost by Roo and the Howl**
Gallup, MN by The Shouting Matches
Chicago by Fort Frances**
Best I Ever Had by Gavin DeGraw
Braving the Wind by The Sun Kite
Prom Night by Anamanaguchi
Moonless by Blatant Neon Ion**
Watch for Deer at Dawn by Folly and the Hunter
Well, You Left by Rilo Kiley
Foreign Bodies by Radiation City
Radioactive Slam by MuhLurs**
I Dreamt Blues by Vikesh Kapoor
Something to Get You By by Genders
Somebody to Love by Valerie June
Hannah Hunt by Vampire Weekend (<3)
Halls of Columbia by Pickwick
Burn by Ellie Goulding
If I Could Change Your Mind by HAIM
The Mission by Valley Maker**
Song For Zula by Phosphorescent
Tiff (feat. Justin Vernon) by POLIÇA
Casino (Bad Things) by Houndmouth
Comrade by Volcano Choir
Royals by Lorde
Bird Balloons by Lady Lamb the Beekeeper
Thinking About You by Typhoon
Step Out by Jose Gonzalez
Change by Churchill
Bad Kingdom by Moderat
Hurricane by MS MR
Young Fathers by Typhoon
I Have Been Lost by The Petticoat Tearoom

Round II
City By The Sea by Fort Frances
Byegone by Volcano Choir
I Remember You by Rilo Kiley
100 Years by Typhoon
East Coast Girl by Cayucas
Ivory Black by Seryn
Brother by Swear and Shake
Chain My Name by POLIÇA
Inside Out by Andrew Austin
Still by Daughter
Bang by Elin Ruth
The Round by Pickwick
Only Time by Valley Maker**
Tall Tall Shadow by Basia Balut
When We Fall by Timshel
Good Times by The Changing Colors
Everlasting Arms by Vampire Weekend
Promise of Lakes by Luray
Stay Awake by Ellie Goulding, Madeon
Dead Man's Dance by Bradford Loomis
Science/Visions by CHVRCHES
Jumper Cable by Widower
Blankets by Matthew Fowler
Modern Jesus by Portugal. The Man
Hey Stranger by Nicki Bluhm and the Gramblers
Move by Mausi
A Clear Mind, A Better Time by Del Water Gap**
Blood & Bones by Paper Bird
Bright Stars Burning by Hey Marseilles
Agape by Bear's Den
Sex by The 1975
Step Into My Life (Restless) by Marshall Lewis**
Wake Me Up by Avicii

Round III
Possible Deaths by Typhoon
Little Too Late by Nicki Bluhm and the Gramblers
Lick My Wounds by Ron Pope
Drop The Game by Flume, Chet Faker
Line of Fire by Junip
Crooked Smile by J. Cole, TLC
Bagel Girl by Black Checker
Put On, Cologne by Donovan Woods
Recovery by Frank Turner
Obey Your Guns by Matrimony
Ever Loved Once by Blitzen Trapper
Island by Wyatt Overman
Sask by Donovan Woods
Wildewoman by Lucius
Inside My Head by The Parkington Sisters
Play It Right by Sylvan Esso
Abandon by Modern Kin
Wyoming by Water Liars
Cherry Blossoms by Night Beds
The Fold by Ivan & Alyosha
Call Me In The Afternoon by Half Moon Run
You Don't Love Me Like You Used To by The Lone Bellow
The Breach by Dustin Tebbutt
Little Numbers by BOY
Sonsick by San Fermin
Heart Beats by Hey Marseilles
Acetate by Volcano Choir
Love of a Life by Kelijet, X Ambassadors
The Wire by HAIM

Round IV
Ships Pass by Paul Cook and the Chronicles
Wax & Wane by Alana Henderson
Dreaming by Smallpools
Low Wishes by Air Review
Never Wanted Your Love by She & Him
Fifth In Line to the Throne by Camera Obscura
Fireworks at Night by Campfire Ok
San Francisco by The Mowgli's
Timber by Pitbull, Ke$ha
The Great Northwest by Mighty Oaks
Of Space and Time by City and Colour
Dreams of Cannilbalism by Typhoon
Bad Habit by Foals
Out of My League by Fitz and the Tantrums
Weight by Mikal Cronin
Tides by Hey Marseilles
Closed Hand, Full of Friends by Foy Vance
Jack and Jill by Jon Morgan**
Ghost by Folly and the Hunter
Dear Pressure by Miracles of Modern Science
From This Valley by The Civil Wars
Moth In The Porch Light by Folly and the Hunter
Pompeii by Bastille
Wait Up For You by The Belle Game
North Carolina by Little Chief
Thunder Clatter by Wild Cub
Need The Sun To Break by James Bay
Summer Jam by Twinsmith
Grace For Saints and Ramblers by Iron & Wine
Riptide by Vance Joy
Faultlines by Field Division**

** Not Available on Spotify, therefore linked.

Weekend Video: Modern Kin's HELLO, WORLD

"HELLO, WORLD is ephemeral, like a live performance has been since the first musicians.  Each event will happen and then be gone - no recording, no coming back to it later.  In the moment across human hours, online, but not forever—not adding mass to the snowball of data we must process, remember, reference, link-to, protect, promote.  Events in time, across time, each one appearing everywhere at once and only once."

Catch this while you can! Portland band, Modern Kin, have been playing release shows at Mississippi Studios and live-streaming the performances on Youtube. At the present moment, there have been five shows over the past twelve hours, with two more to go. This is the gist of their HELLO, WORLD project. In seven different time zones, at their local 10PM time slot on either 10/25 or 10/26, you can tune in and hear the band play their release show over and over again.

Unfortunately, I didn't make it at 10PM my local time (UTC-4) last night, but it's currently a little after 10AM and I just watched the UTC+9 performance. I can't imagine a better way to start off my Saturday morning.

The project is ambitious, but we're five shows in and the band shows no apparent signs of wearing or slowing down. I also loved how it was 7AM in Portland  and there appeared to be a decent-sized crowd over at Mississippi Studios.

If you haven't watched any of the live performances yet, I highly recommend tuning in for the last two shows. There's one at 4PM EST and 5PM EST tonight. Considering that's prime pre-game time for tonight's activities, I'm thinking of having a few friends over for cocktails and having this stream.

Stream the shows from the video above (at the appropriate times) or check it out on their HELLO, WORLD site. The self-titled album was released on October, 22. It's wonderful. You can purchase it on their bandcamp page. 

Headlights by Get Dressed

When I was only a lowly teenager, I began my delve into local music. One of my favorite Seattle bands from around this time was an indie-rock outfit, Get Dressed. A song of theirs, Headlights, became a favorite of mine. Throughout the years, this song has remained with me and has never quite been forgotten. On a sad day back before grad school, my desktop computer finally died. With it, I lost my entire music collection. Nowadays, that's not the worst thing in the world, with Spotify and other comprehensive music players. However, a few tracks were lost, to never be resurfaced. Headlights was one.

Get Dressed broke up in 2008. I remember seeing flyers for their last show at The Vera Project. To listen to this song, I searched everywhere (from Myspace to Lineout to ReverbNation). I even pleaded with my friends on facebook. No luck anywhere.

In a little twist of irony (or something), I reclaimed Headlights when my current computer crashed. I'm debating getting a Chromebook and decided to check out Google Play. When Google Music first came out, I uploaded much of my old music collection on a whim. I had forgotten all about this. Several scrolls down the page, Headlights was there.

I couldn't be any happier.

The opening riffs hook me every time. The repetition of the chorus is the portion of the song I used to sing in my head when I hadn't listened to the track in a while: "and, we move slowly and slowly and slow". The way they portray a mediocre relationship - it could be on every teenager's life soundtrack. We've all experienced this sort of lackluster, even if we're hoping for more. Get Dressed was easy to relate to, non-pretentious and the local act you hoped would make it somewhere.

Listen to Headlights. I did the world a favor and uploaded a copy to Grooveshark. It's worth the four minutes (and a few replays).

(image above via Lineout)

Pickwick @ Rock and Roll Hotel

"Thank you for showing DC how Seattle can rock."

I'm not ashamed of how much of a Pickwick supporter/fan I am. I love my Seattle bands and I keep them close to my heart. The spirit of the Seattle music scene flooded this show and I haven't missed home so much in ages. 

My Friday night started off as it normally does - stacked full of social plans but trying to fit everything and everyone in. I bike-shared from my apartment down to Chinatown to meet up with a friend for happy hour. A couple of beers left me appropriately buzzed for what would follow. A longer-than-I-expected ride over to H Street happened and I arrived to Rock and Roll Hotel right when doors were supposed to open. 

I have a penchant for arriving early, and early I was. Sound check was still happening but the second floor bar was hosting a drunk spelling bee and I joined in. A couple arrived upstairs and asked me if I was here to see Pickwick. I was and mentioned how much I loved them, especially being from Seattle. "Oh, you're from Seattle?", the lady, Sandy, asked, "do you know of another Seattle band, Campfire OK?". Yes! I told her that I really enjoyed their new album and had listened to it through and through the day before. She was thrilled, as she was Mychal, the lead singer's mother. This is what the Seattle music scene is all about. We hit it off, she showed me some baby pictures and I couldn't get over how unreal/adorable the whole exchange was. I definitely tweeted about it. Sandy ended up winning second place in the Spelling Buzz too! 

After I struck out during the Spelling Buzz for misspelling "geisha" (I know, I know), I headed downstairs and snagged myself a sweet little spot in the front row.

The Petticoat Tearoom opened and I thoroughly enjoyed their set. They're a Baltimore/DC area band and I'm hoping writing it down here will keep me accountable to go out and see more of their shows. Lately, the five-piece band has been drawing comparisons to Blitzen Trapper, Dawes and other folk-americana bands. The Baltimore/DC area needs more of this sound and I'm happy the Petticoat Tearoom were able to deliver so wonderfully. I spent some time this week listening to their most recent self-titled release and I'm convinced they need more attention. At the very least, listen to I Have Been Lost right now and I'll do a full write-up here shortly.

Between sets, I made a concert buddy, Cody, who had lived in Seattle for three months. I couldn't agree more with his feelings about the city: "those three months in Seattle were the most depressing of my life, but I still love that place".

With that thought in the air, Pickwick walked onto stage. Generally, I'm fairly good at remembering the order of songs played, but for some reason, I can't figure it out for the life of me. The set-list blended together, in the best way possible. I can't remember a single down period and I kept remembering the notion that Pickwick is truly a rock band. Despite my love of folk, there's really none involved here. The Round, Halls of Columbia and Lady Luck were my highlights. The Round, for being my current favorite; Halls of Columbia, for being the opening track that had me hooked; and Lady Luck for how much more I appreciated the song after seeing it live.

In addition to playing most of Can't Talk Medicine, several new songs were played. I must say, I'm so so excited for their new material. Pickwick has such a distinct style that they're sticking to and that's such a good thing. I don't think this band can do any wrong.

Galen was just as amazing as you'd imagine. While I knew his vocal range was off the charts, actually experiencing him live was a whole 'nother level of extraordinary. From the soft high pitches in Lady Luck to the guttural sounds in Halls of Columbia to the harmonizing in Window Sill - watching him span all the ranges was truly incredible. With his stage presence, you could tell he was made for this. I couldn't even get a great picture due to how much he was bouncing and rocking around. I definitely got hit with the microphone cord one or twice (worth it!).

Window Sill was the closing song and damn did we all rock out. For the encore, I believe they covered Pump It Up by Elvis Costello. I never realized it until then, but Pickwick absolutely has that Costello-vibe.

After the show, I went upstairs to buy a physical copy of their album. I ran into Sandy and we introduced ourselves to Galen. She pretty much pushed me towards him and he was such a sweetheart about conversing with fans. I told him about my passion in supporting my Seattle bands and he truly seemed humbled by all the praise I was pouring out of my mouth. I also got to watch him converse with Sandy about Campfire OK. I stood there floored because I got to experience the Seattle music community first-hand, three-thousand miles away. Parting ways, I thanked him for showing DC how much Seattle can rock.

Sandy and I said goodbye as well. We hugged and I, once again, reaffirmed how many people truly believe in Campfire OK. On a strange, music-inspired high, I walked out of Rock and Roll ready for whatever the rest of the evening would throw at me. 

Weekend Video: Pickwick @ Suzzallo Reading Room

The Suzzallo Reading Room at the University of Washington, is often considered to be one of the most beautiful library spaces in the world. I can't disagree. I spent many undergrad afternoons in awe over the sixty-five foot ceilings, stained-glass windows, gorgeous overhead brass lamps, and oak bookshelves lined with antique books. The Reading Room often draws comparisons to Hogwarts and I could always see why.

The magic of the Suzzallo Reading Room really goes beyond the university and is more-so a Seattle landmark. As of now, I'm convinced there's not a better band that captures the spirit of the Seattle music scene, than Pickwick. The band performing in the Reading Room just feels right. For this weekend, in honor of missing home but seeing Pickwick's show tonight at Rock and Roll Hotel in DC, here's an older video of them performing Blackout, acapella, in the normally dead-silent spot on campus.

Tonight, Seattle meets DC and I only hope DC can handle all that Seattle has to offer. My worlds are colliding and I truly can't contain my excitement.

(DC Friends: See Pickwick tonight. Do it. There are still tickets available and I find that crazy.)

Mix: Falling Into Fall

(jumping on the seasonal playlist bandwagon)

I'd like to think this mix is synonymous with autumn, as with the fall weather, I couldn't really make up my mind with what direction to go in. Should I cling to Summer or dive head first into Winter? There's a little bit of everything here, somehow, I'm convinced it ties together.

I love fall: pumpkin spice lattes, hot chocolate, apple cider, college football, sweatshirts, the last hookups, those little pumpkin branches from Trader Joe's, turning off the ac unit, cuddling, slower days, longer nights, open patios, and really long walks. Since I'm a Seattle native, I much prefer the crisp cool weather to the miserable district heat.

1. Stop The World I Wanna Get Off With You - Arctic Monkeys 
2. Even Better Yet - The Format
3. Don't Get Too Close - Nathaniel Rateliff 
4. Hey Stranger - Nicki Bluhm and the Gramblers 
5. Bikes - Lucy Rose
6. Promise of Lakes - Luray
7. Tessellate - Ellie Goulding
8. Play It Right - Sylvan Esso
9. Tight Rope (Live) - Yeasayer
10. World News - Local Natives
11. The Hurry And The Harm - City and Colour
12. The Breach - Dustin Tebbutt
13. Alaskans - Volcano Choir
14. Love You to Pieces - Jeremy Messersmith 
15. When You Have Arrived - Campfire Ok
16. Hunger and Thirst - Typhoon
17. I Don't Need to Know - Daniel Blue with Meagan Grandall 

Spotify

[Local] Hand-Me-Down Cardigans by The Raised By Wolves

(via DC Music Download)

I have a bad habit of not associating certain songs with certain people. Once upon a time, this was true only for guys I was dating. However, when I confessed this tendency to my friend Adam, he was a little miffed that I didn't have a song for him. It was a fair point. I'm highly emotionally invested in music and if I'm at all close to a person, friend-wise or otherwise, I should be able to have a song that reminds me of them.

Frequently, I meet a person and I immediately know "their song". Sometimes, in other cases, it takes a few months before "their song" shows up on shuffle. More rarely, I'm convinced "their song" does not exist. 

With one of my friends, his song didn't really exist until today. 

The Raised By Wolves are a local Maryland/DC band that just popped up on my radar a few hours ago, via DC Music Download. Their debut album, Sadie Hawkins, was released today. It's a fantastic array of experimental, indie-pop-rock. I really appreciate albums that I can leave on in the background while focusing at work, but also have the occasional song or two that pulls me out of the "Excel trance". 

When I heard Hand-Me-Down Cardigans, I stopped searching through my email inbox and immediately went straight to the lyrics page. It was a strange visceral reaction but I quickly knew who this song reminded me of. This makes sense, but there's a distinct feeling of "district" feelings/relationships/friendships sprinkled throughout the lyrics. 

[She was standing alone again in that little black dress

And if she became a silhouette, that would have been best

Because I was cut from a different cloth]

[There lives a stranger inside of me that you will never know

Because a heavy hard heart is worth its weight in gold]

[And I never didn't love a girl who loved me first

And I could never be your one and only

Be your one and only lonely one]

To all the dudes I've been friends with here, this song reminds me of one of you. Is this blog getting a little too personal? Quite possibly. 

You can download Hand-Me-Down Cardigans and the entire Sadie Hawkins album (for free, or pay as you wish) on The Raised By Wolves' bandcamp page. Maybe, one of their songs will remind you of someone too.